Editors’ Introduction to the Summer 2019 Issue

  • Paul Bonin-Rodriguez University of Texas at Austin
  • Neville Vakharia Drexel University

Author Biographies

Paul Bonin-Rodriguez, University of Texas at Austin

Dr. Paul Bonin-Rodriguez is a writer-performer and dancer from San Antonio who has toured extensively throughout the United States. His book, Performing Policy: How Politics and Cultural Programs Redefined U.S. Artists for the Twenty-first Century (Palgrave, 2014), assesses how research and development initiatives since the late 1990s have radically reshaped artistic practices nationwide. Chronicling both historical, paradigm-setting moments and contemporary artist-driven initiatives, Performing Policy demonstrates how "creatives" regularly negotiate market-based and value-based concerns and shows how they may more effectively and ethically pursue opportunities in communities where they work.

His articles appear in Artivate: a Journal of Entrepeneurship in the Arts, Theatre Topics and a forthcoming anthology on New WORLD Theater. His plays have been published in The Color of Theatre: Race, Culture, and Contemporary Performance (Continuum, 2002), Jump-Start Playworks (Wings Press, 2004) and Text and Performance Quarterly.

Currently, he serves as the head of Undergraduate Studies in Theatre and Dance, as well as the director of the Minor in Arts Management and Administration for the College of Fine Arts.

Neville Vakharia, Drexel University

Neville Vakharia is an Associate Professor and Research Director in Drexel's renowned graduate Arts Administration & Museum Leadership program, teaching courses in management, strategic planning, entrepreneurship, and related subjects while undertaking research and development projects that seek to strengthen the arts, cultural, and creative sector. His research centers on the role that technology, innovation, and knowledge play in building sustainable, resilient, and relevant organizations and communities. His work has been published internationally and he has developed new tools and resources to benefit the cultural and social sectors. Neville is a frequent speaker, facilitator, and panelist for a wide range of conferences and events nationally and internationally.

Prior to Drexel, Neville was the director of the Cultural Data Project at The Pew Charitable Trusts (now SMU DataArts), a growing national initiative created to improve the management and financial capacity of arts and cultural organizations, inform grant-making strategies, and serve as a powerful tool for policy research and analysis. At Pew, he oversaw the program’s strategic direction, operations, and national expansion from a start-up enterprise to multi-million dollar organization.

Prior to Pew, Neville was Director of Technology Services and Programs for the Arts & Business Council of Greater Philadelphia, where he developed and launched the Technology Connectors, a program designed to support the technological capabilities of the region’s arts and cultural organizations through education, strategic planning, and consulting. He served as Director of Marketing for the Prince Music Theater, overseeing all audience development and branding strategies, and for 12 years he was the founder and co-producer of the ArtsFest Film Festival, central Pennsylvania's largest film festival.

Neville also has more than 10 years of experience in the corporate sector, working in new product development, marketing and global product management for W.L. Gore & Associates, Inc., manufacturer of GORE-TEX products. Neville holds two international patents and has developed several new products and technologies. He earned both his bachelor of science degree in materials engineering and his master of science in arts administration from Drexel University where he is currently pursuing a Ph.D. in Information Science. He serves on the board of directors of CultureWorks Greater Philadelphia, the Philadelphia Cultural Fund, Social Impact Commons, and is the co-editor of Artivate: A Journal of Entrepreneurship in the Arts. Neville also serves as an advisor to many creative, start-up, and social enterprises and community-based organizations.

Published
2019-10-18
Section
Editorials